The course aims to analyze some of the recent experiences of literary and cinematographic narrative in the light of the anthropological assumptions that govern the general processes of narration.
The course aims to provide students with an in-depth understanding of storytelling techniques which, if they find their genetic place and privileged expressive modalities in literature and cinema, migrate from here to a multiplicity of disciplinary fields whose explanation procedures are fundamental for understanding current communication processes.
The course aims to provide students with an in-depth understanding of storytelling techniques which, if they find their genetic place and privileged expressive modalities in literature and cinema, migrate from here to a multiplicity of disciplinary fields whose explanation procedures are fundamental for understanding current communication processes.
teacher profile teaching materials
I. Calvino, Palomar, Mondadori, Milano 2016.
I. Calvino, Lezioni americane, Mondadori, Milano 2016.
Filmography
I. Bergman, Il posto delle fragole (1957); A. e L. Wachowski, Matrix (1999).
Programme
Experiences of narrative in contemporary literature and filmCore Documentation
A. Mazzarella, La grande rete della scrittura, Bollati Boringhieri, Torino 2008.I. Calvino, Palomar, Mondadori, Milano 2016.
I. Calvino, Lezioni americane, Mondadori, Milano 2016.
Filmography
I. Bergman, Il posto delle fragole (1957); A. e L. Wachowski, Matrix (1999).
Type of delivery of the course
frontal lessonsType of evaluation
written test