20710142 - SCRITTRICI, SCRITTORI E OPERE DELLA LETTERATURA ITALIANA

The aim of the course is the acquisition of useful tools to understand how a text becomes a classic through the analysis of one or more works by a writer or a writer of Italian literature, in the ways of comparing texts, of reconstructing the historiographical debate , the exercise of critical thinking.

Curriculum

teacher profile | teaching materials

Programme

Ariosto our contemporary. Orlando Furioso between passion and wishes, lyric and theatre.
Centuries later from first ideation and complexive rielaboration, Orlando Furioso proclaiming a classic, how celebrations about first publication 1516's demonstrate and prove. How is possible proclaiming a classic? What role passion and wishes have played? And the national and international critics, expecially feminist criticism? How can we read the poem today, between lyrics and plays? Perhaps we re-read Orlando Furioso from celebrated direction of Ronconi to most recent by Motus.

Core Documentation

Ludovico Ariosto, Orlando Furioso, any edition but complete version; one play; a choise of lyrics in agrement with the teacher.
Giuseppe Sangirardi, Ludovico Ariosto, Mondadori Education, 2006

Further material will be available online on the teacher's page (http://studiumanistici.uniroma3.it/lfortini/bacheca/) and provided when possible in pdf or similar formats during the course.


Type of delivery of the course

6 CFU, 36 hours, II semester

Type of evaluation

The exam include a written test and and oral exam; during the course students will possible face written tests useful for the whole exam; students who choose not to attend the course are invited to contact the teacher in order to arrange a specific exam schedule.

teacher profile | teaching materials

Programme

Ariosto our contemporary. Orlando Furioso between passion and wishes, lyric and theatre.
Centuries later from first ideation and complexive rielaboration, Orlando Furioso proclaiming a classic, how celebrations about first publication 1516's demonstrate and prove. How is possible proclaiming a classic? What role passion and wishes have played? And the national and international critics, expecially feminist criticism? How can we read the poem today, between lyrics and plays? Perhaps we re-read Orlando Furioso from celebrated direction of Ronconi to most recent by Motus.

Core Documentation

Ludovico Ariosto, Orlando Furioso, any edition but complete version; one play; a choise of lyrics in agrement with the teacher.
Giuseppe Sangirardi, Ludovico Ariosto, Mondadori Education, 2006

Further material will be available online on the teacher's page (http://studiumanistici.uniroma3.it/lfortini/bacheca/) and provided when possible in pdf or similar formats during the course.


Type of delivery of the course

6 CFU, 36 hours, II semester

Type of evaluation

The exam include a written test and and oral exam; during the course students will possible face written tests useful for the whole exam; students who choose not to attend the course are invited to contact the teacher in order to arrange a specific exam schedule.