teacher profile teaching materials
Starting from the idea of the cinematographic staging as a strategy for organizing the filmic space, the course will also focus on the contemporary practices that release the film from the movie theater by proposing forms of "relocation" that require a rethinking of the idea of direction itself (in particular focusing attention on the relation movie theater-museum and on the work of the so-called "cinematographers-artists"). In this framework, the work of Abbas Kiarostami will provide relevant case studies that will allow a constant sliding of the theoretical questions raised in the practice of analyzing the films and installations by the Iranian filmmaker.
- Elio Ugenti, "Abbas Kiarostami. Le forme dell'immagine", Bulzoni, Roma 2018
- Francesco Federici, "Cinema esposto. Arte contemporanea, museo, immagini in movimento", Forum, Udine 2017
- Lecture notes edited by the teacher
FILMOGRAPHY:
- Where is the Friend's Home? [Khane-ye dust kojast], 1987
- Homework [Mashq-e shab], 1989
- And Life Goes on [Va zendegi edame darad], 1992
- Taste of Cherry [Tam'e ghilas], 1997
- The Wind Will Carry Us [Bad ma-ra khahad bord], 1999
- ABC Africa, 2001
- Five, 2004
- Roads of Kiarostami, 2005
- Shirin, 2008
- Certified Copy [Copie conforme], 2010
- Like Someone in Love, 2012
- 24 Frames, 2016
Mutuazione: 20710387 FORME DELLA MESSA IN SCENA. CINEMA, TELEVISIONE, VIDEO in Cinema, televisione e produzione multimediale LM-65 UGENTI ELIO
Programme
The course aims to pay attention to the strategies of cinematographic staging, favoring the context of contemporary cinema without renouncing - however - to a close confrontation with the filmic practices that have marked the period of classical cinema and, above all, of modern cinema. The question of direction will be analyzed as an eminently "theoretical" issue, developing a reflection that intends to go beyond the question of filmic grammar.Starting from the idea of the cinematographic staging as a strategy for organizing the filmic space, the course will also focus on the contemporary practices that release the film from the movie theater by proposing forms of "relocation" that require a rethinking of the idea of direction itself (in particular focusing attention on the relation movie theater-museum and on the work of the so-called "cinematographers-artists"). In this framework, the work of Abbas Kiarostami will provide relevant case studies that will allow a constant sliding of the theoretical questions raised in the practice of analyzing the films and installations by the Iranian filmmaker.
Core Documentation
BIBLIOGRAPHY- Elio Ugenti, "Abbas Kiarostami. Le forme dell'immagine", Bulzoni, Roma 2018
- Francesco Federici, "Cinema esposto. Arte contemporanea, museo, immagini in movimento", Forum, Udine 2017
- Lecture notes edited by the teacher
FILMOGRAPHY:
- Where is the Friend's Home? [Khane-ye dust kojast], 1987
- Homework [Mashq-e shab], 1989
- And Life Goes on [Va zendegi edame darad], 1992
- Taste of Cherry [Tam'e ghilas], 1997
- The Wind Will Carry Us [Bad ma-ra khahad bord], 1999
- ABC Africa, 2001
- Five, 2004
- Roads of Kiarostami, 2005
- Shirin, 2008
- Certified Copy [Copie conforme], 2010
- Like Someone in Love, 2012
- 24 Frames, 2016
Type of delivery of the course
The course is delivered through classroom-taught lessons that provide - for the purpose of a better understanding of the topics addressed by the students - the use of slides and/or the screening of movies and videos, used as case studies or as a support to teaching.Attendance
Course attendance is not mandatory.Type of evaluation
The learning assessment takes place through a written exam. There are no intermediate tests.