The course aims to give the students elements of knowledge of scenic composition principles and methods, exploring the possible combinations of the different expressive elements of the theatrical work (body, word, movement, space, sound, light) in a single creative process, with reference to concrete experiences,
historical and current, within the most aware theatrical research.
historical and current, within the most aware theatrical research.
Curriculum
teacher profile teaching materials
Special atention will be dedicated to Appia, Piscator and the actors in silent movies in German and in Russian-Soviet cultures.
B. Balasz, L'uomo visibile, Lindau;
S. M. Ejzenstejn, Lezioni di regia, Einaudi.
(Students coming from abroad can read these texts in English, German, French or Russian versions).
Filmography (the films are available in the Dept. Library):
R. Wiene, Il gabinetto del dottor Caligari;
F. Lang, Metropolis;
L. Kuleshov, Secondo la legge (Dura Lex);
S.M. Ejzenstejn, Que viva Mexico!
Programme
The course will tackle some of the experiences that changed the relationship between acting and stage (including the film) during the last century.Special atention will be dedicated to Appia, Piscator and the actors in silent movies in German and in Russian-Soviet cultures.
Core Documentation
A. Appia, Attore, musica e scena, ed. italiana a c. di F. Marotti, Cue Press;B. Balasz, L'uomo visibile, Lindau;
S. M. Ejzenstejn, Lezioni di regia, Einaudi.
(Students coming from abroad can read these texts in English, German, French or Russian versions).
Filmography (the films are available in the Dept. Library):
R. Wiene, Il gabinetto del dottor Caligari;
F. Lang, Metropolis;
L. Kuleshov, Secondo la legge (Dura Lex);
S.M. Ejzenstejn, Que viva Mexico!
Type of delivery of the course
Frontal lessons. Interpretations of texts and films as documents of acting.Attendance
Additional texts to the program will be arranged with non-attending students.Type of evaluation
Oral exam. The questions will concern texts and films included in the program. teacher profile teaching materials
Special atention will be dedicated to Appia, Piscator and the actors in silent movies in German and in Russian-Soviet cultures.
B. Balasz, L'uomo visibile, Lindau;
S. M. Ejzenstejn, Lezioni di regia, Einaudi.
(Students coming from abroad can read these texts in English, German, French or Russian versions).
Filmography (the films are available in the Dept. Library):
R. Wiene, Il gabinetto del dottor Caligari;
F. Lang, Metropolis;
L. Kuleshov, Secondo la legge (Dura Lex);
S.M. Ejzenstejn, Que viva Mexico!
Mutuazione: 20710266 PRINCIPI E METODI DELLA COMPOSIZIONE SCENICA in DAMS Teatro, musica, danza LM-65 GUARINO RAIMONDO
Programme
The course will tackle some of the experiences that changed the relationship between acting and stage (including the film) during the last century.Special atention will be dedicated to Appia, Piscator and the actors in silent movies in German and in Russian-Soviet cultures.
Core Documentation
A. Appia, Attore, musica e scena, ed. italiana a c. di F. Marotti, Cue Press;B. Balasz, L'uomo visibile, Lindau;
S. M. Ejzenstejn, Lezioni di regia, Einaudi.
(Students coming from abroad can read these texts in English, German, French or Russian versions).
Filmography (the films are available in the Dept. Library):
R. Wiene, Il gabinetto del dottor Caligari;
F. Lang, Metropolis;
L. Kuleshov, Secondo la legge (Dura Lex);
S.M. Ejzenstejn, Que viva Mexico!
Type of delivery of the course
Frontal lessons. Interpretations of texts and films as documents of acting.Attendance
Additional texts to the program will be arranged with non-attending students.Type of evaluation
Oral exam. The questions will concern texts and films included in the program.