20101474 - LEGAL PROTECTION OF CULTURAL HERITAGE (LEGAL LANGUAGE)

Course Learning Objectives
This course aims:
• To provide students with the necessary means to develop a knowledge base and evaluative understanding of the following matters:
• foundational principles, and key international primary legal sources, relating to the protection of cultural heritage;
• relationship between the international trade regime and the protection of cultural heritage;
• interaction between concepts of culture, cultural heritage and intellectual property law;
• issues in national implementation of cultural heritage obligations;
• theoretical debates in relation the connection between personhood, property, culture and cultural heritage.
• To develop tools that will permit students to identify relevant issues of international and comparative law and to begin analysing and researching them.
• To develop critical skills in analyzing the relationship between theoretical debates and approaches to legal regulation at the international and national level.
teacher profile | teaching materials

Programme

What is cultural heritage and why is it important? When, where and how cultural heritage started to be protected? Which are the legal tools at our disposal to protect cultural heritage? Is cultural heritage a human rights issue? This course aims at providing answers to these questions and hand of international treatises, national laws and case study. In order to introduce the students to the complexity of the topic, a historical overview (with focus on Italy) will be provided to understand how the legal concept of cultural heritage developed at a national, European and global level.


Core Documentation

Compulsory readings

For an overview:
Pinton, S. and Zagado, L. (eds.), “Cultural Heritage. Scenarios 2015-2017”, Venezia: ed. Ca' Foscari, 2017. Available online at: https://edizionicafoscari.unive.it/it/edizioni/libri/978-88-6969-225-3/.

The specific readings requested for this course, tough, are the following (the ones which are not available online will be provided on the e-learning platform):

1. Chechi, A., Protecting Holy Heritage in Italy - A Critical Assessment through the Prism of International Law, in “International Journal of Cultural Property”, 21 (2014), pp. 397-421. Available at: https://www.cambridge.org/core/services/aop-cambridge-core/content/view/851F794A8C98DC85712005573F4CD034/S0940739114000253a.pdf/protecting_holy_heritage_in_italya_critical_assessment_through_the_prism_of_international_law.pdf.

2. Coccolo, F., Law No. 1089 of 1 June 1939. The origin and consequences of Italian legislation on the protection of the national cultural heritage in the 20th century, in S. Pinton and L. Zagado (eds.), “Cultural Heritage. Scenarios 2015-2017”, Venezia: ed. Ca' Foscari, 2017, pp. 195-209. Available at: https://edizionicafoscari.unive.it/it/edizioni/libri/978-88-6969-225-3/.

3. Foradori, P., Protecting cultural heritage during armed conflict: the Italian contribution to “cultural peacekeeping”, in “Modern Italy”, 22.1 (2017), pp. 1-17. Available at: https://www.cambridge.org/core/services/aop-cambridge-core/content/view/B730B0DE5419CFC463853B52463C64D1/S1353294416000570a.pdf/protecting_cultural_heritage_during_armed_conflict_the_italian_contribution_to_cultural_peacekeeping.pdf.

4. Lostal, M., International Cultural Heritage Law in Armed Conflict. Case-studies of Syria, Libya, Mali, the Invasion of Iraq, and the Buddhas of Bamiyan, Cambridge: Cambridge University Press, 2017, pp. 18-46.

5. Macmillan, F., Contemporary Intangible Cultural Heritage: Between Community and Market, in C. Cummings, H. Enright, M. Pavis and C. Waelde (eds.), “Research Handbook on Contemporary Intangible Cultural Heritage: Law and Heritage”, Cheltenham, UK and Northampton, MA: Edward Elgar, 2018.

6. Macmillan, F., Heritage, Imperialism and Commodification: How the West can always do it best, in “Europa Ethnica”, 74.3/4 (2017).

7. Odello, M., The Right to Take Part to Cultural Life: General Comment No. 21 of the United Nations Committee on Economic, Social and Cultural Rights, in “Anuario español de derecho internacional”, 27 (2011), pp. 491-519. Available at: https://www.unav.edu/publicaciones/revistas/index.php/anuario-esp-dcho-internacional/article/viewFile/2563/2436.

8. Pinton, S., The Faro Convention, the Legal European Environment and the Challenge of Commons in Cultural Heritage, in S. Pinton and L. Zagado (eds.), “Cultural Heritage. Scenarios 2015-2017”, Venezia: ed. Ca' Foscari, 2017, pp. 315-334. Available at: https://edizionicafoscari.unive.it/it/edizioni/libri/978-88-6969-225-3/.

9. Ridley, R.T., To Protect the Monuments: the Papal Antiquarian (1534-1870), in “Xenia Antiqua”, I (1992), pp. 117-154 (in particular pp. 117-119 and 146 ff.).

10. Settis, S., We the Citizens, English translation of chapter 7 of Paesaggio, Costituzione, cemento: la battaglia per l'ambiente contro il degrado civile (Einaudi, 2010), in “California Italian Studies”, 2.1 (2011). Available at: https://escholarship.org/uc/item/7c90g6dp.

11. Sterio, M., Individual Criminal Responsibility for the Destruction of Religious and Historic Buildings: The Al Mahdi Case, in “Case Western Reserve Journal of International Law”, 49.1 (2017), pp. 63-73. Available at: https://scholarlycommons.law.case.edu/cgi/viewcontent.cgi?article=2500&context=jil.

12. Yeide, N.H. and Teter-Schneider, P.A., S. Lane Faison, Jr. and "Art under the Shadowof the Swastika”, in “Archives of American Art Journal”, 47.3/4 (2008), pp. 24-37.


Reference Bibliography

For deepening (NOT compulsory): 1. Brown, G. (ed.), The Long and Influential Life of the Universal Declaration of Human Rights, in “The Universal Declaration of Human Rights in the 21st Century. A Living Document in a Changing World”, Cambridge: Open Book Publishers, 2016, pp. 29-38. Available at: https://www.openbookpublishers.com/product/467/the-universal-declaration-of-human-rights-in-the-21st-century. 2. Kunzelman, C.J., Some Trials, Tribulations, and Successes of the Monuments, Fine Arts and Archives Teams in the European Theatre During WWII, in “Military Affairs", 52.2 (Apr., 1988), pp. 56-60. 3. Kurtz, M.J., The Allied Struggle over Cultural Restitution, 1942-1947, in “International Journal of Cultural Property”, 17 (2010), pp. 177-194.  4. Macmillan, F., Cultural Property and Community Rights to Cultural Heritage, in Ting Xu and Jean Allain (eds.), “Property and Human Rights in a Global Context”, Oxford: Hart, 2015, pp. 41-62. 5. Montanari, T., Costituzione italiana: art. 9, Roma: Carocci, 2018. 6. Montanari, T., Privati del patrimonio, Torino: Einaudi, 2015. 7. Settis, S., Paesaggio, Costituzione, cemento: la battaglia per l'ambiente contro il degrado civile, Torino: Einaudi, 2010. 8. Silverman, H. (ed.), Contested cultural heritage: religion, nationalism, erasure and exclusion in a global world, New York and London: Springer, 2011. Available at: https://archive.org/stream/HelaineSilvermanAuth.HelaineSilvermanEds.ContestedCulturalHeritageReligionNation/Helaine%20Silverman%20auth.%2C%20Helaine%20Silverman%20eds.%20Contested%20Cultural%20Heritage%20Religion%2C%20Nationalism%2C%20Erasure%2C%20and%20Exclusion%20in%20a%20Global%20World_djvu.txt.

Type of delivery of the course

Lectures in class are supported by power-point presentations, which are available on the e-learning platform. When possible, experts in particular fields related to the legal protection of CH are invited to give a lecture. Students are asked to: 1) take a midterm exam consisting in a list of open and/or closed-ended questions; 2) write a research paper at the end of the course and make a presentation in front of the class based on their research paper; the presentation can consist in a power point or in a video; 3) attend and report on guest lectures; 4) engage in class discussions/debates.

Attendance

Attendance is compulsory. The maximum number of non-justified absences is three.

Type of evaluation

The course will be assessed on the following basis: 1) Written midterm exam (list of open-ended questions): 30% 2) 2000 (min.) – 3000 (max.) words research essay (including footnotes): 30% 3) Oral presentation of the research essay: 20% 4) Final oral examination: 20% of the final grade.