At the end of this course the student will acquire:
- A basic knowledge of several issues concerning aesthetics and the relationships between philosophy and the arts (literature, visual arts, performing arts, architecture, film)
- The knowledge of one or more important texts of the history of aesthetics, and of the critical debate on these texts
- A basic knowledge on the most recent literature on aesthetics, perception theory, ontology of art and related subjects
- The ability to form an independent judgement on such topics and to expose it in oral and written form
- Good mastery of aesthetic terminology and of the argumentative methods in the field of aesthetics and art criticism
- The ability of focusing theoretical issues, analyzing information, formulating arguments in the fields of aesthetics, theory of perception, art theories, with the help of bibliographical sources-
The ability to contextualize in historical-philosophical perspective aesthetic debates, as well as debates on art criticism.
- A basic knowledge of several issues concerning aesthetics and the relationships between philosophy and the arts (literature, visual arts, performing arts, architecture, film)
- The knowledge of one or more important texts of the history of aesthetics, and of the critical debate on these texts
- A basic knowledge on the most recent literature on aesthetics, perception theory, ontology of art and related subjects
- The ability to form an independent judgement on such topics and to expose it in oral and written form
- Good mastery of aesthetic terminology and of the argumentative methods in the field of aesthetics and art criticism
- The ability of focusing theoretical issues, analyzing information, formulating arguments in the fields of aesthetics, theory of perception, art theories, with the help of bibliographical sources-
The ability to contextualize in historical-philosophical perspective aesthetic debates, as well as debates on art criticism.
teacher profile teaching materials
P. D'Angelo Filosofia del paesaggio, Quodlibet.
Un testo a scelta tra i seguenti: S. Parigi e G. Ravesi, Il paesaggio nel cinema contemporaneo, Bulzoni; S. Arecco, Cinema e Paesaggio, Le Mani; S. Bernardi, IL paesaggio nel cinema italiano, Marsilio
Mutuazione: 20710503 Estetica in DAMS (Discipline delle Arti, della Musica e dello Spettacolo) L-3 D'ANGELO PAOLO
Programme
Landscape and cinemaCore Documentation
P. D'Angelo Il paesaggio: teorie, storie, luoghi, Laterza.P. D'Angelo Filosofia del paesaggio, Quodlibet.
Un testo a scelta tra i seguenti: S. Parigi e G. Ravesi, Il paesaggio nel cinema contemporaneo, Bulzoni; S. Arecco, Cinema e Paesaggio, Le Mani; S. Bernardi, IL paesaggio nel cinema italiano, Marsilio
Type of delivery of the course
Lessons will be in presence.Type of evaluation
Orale and/or written examination.