The main goal of the course is to provide students with the knowledge of the various theatre realities through direct analysis of Italian theatre organisations.
teacher profile teaching materials
The program consists in the analysis of the system of performing arts, with reference to the different management models of Italian and European theaters and creative companies. The sector legal framework is analyzed, both from the point of view of current legislation and of its applications. In particular, the methods of access to public financing, in relation to Europe, the State, the Regions and local Authorities, are examined in depth. The program provides for the examination of specific cases of Italian management models with the presence in class of some professionals (production managers, directors, artists) who provide evidence of their organizational model, their artistic programming and economic sustainability of a cultural enterprise. Some reference models of foreign theaters and festivals will be examined too.
Among the covered topics: the mapping of the system, which cheaters and which companies; the organisational dimension (function chart and organization chart of cultural enterprises), the legal dimension (profit and non profit), the economic dimension, European funding (Creative Europe and Erasmus Plus), state funding (analysis of the 2017 and later modifications of MIC decree).
“Ri-organizzare teatro. Produzione, distribuzione, gestione” di Mimma Gallina, NEW EDITION Franco Angeli 2016
Professor’s lecture notes to be asked to the e-mail: claudia.digiacomo@uniroma3.it
For students who will not attend classes:
“Ri-organizzare teatro. Produzione, distribuzione, gestione” di Mimma Gallina, NEW EDITION Franco Angeli 2016
IL SISTEMA TEATRALE. STORIA DELL'ORGANIZZAZIONE, DELL'ECONOMIA E DELLE POLITICHE DEL TEATRO IN ITALIA - CAVAGLIERI LIVIA - Editore AUDINO 2021,
More professor's lecture notes to be asked to the e-mail: claudia.digiacomo@uniroma3.it
Programme
PROGRAMMAThe program consists in the analysis of the system of performing arts, with reference to the different management models of Italian and European theaters and creative companies. The sector legal framework is analyzed, both from the point of view of current legislation and of its applications. In particular, the methods of access to public financing, in relation to Europe, the State, the Regions and local Authorities, are examined in depth. The program provides for the examination of specific cases of Italian management models with the presence in class of some professionals (production managers, directors, artists) who provide evidence of their organizational model, their artistic programming and economic sustainability of a cultural enterprise. Some reference models of foreign theaters and festivals will be examined too.
Among the covered topics: the mapping of the system, which cheaters and which companies; the organisational dimension (function chart and organization chart of cultural enterprises), the legal dimension (profit and non profit), the economic dimension, European funding (Creative Europe and Erasmus Plus), state funding (analysis of the 2017 and later modifications of MIC decree).
Core Documentation
For students non attending classes: oral examination on both books:“Ri-organizzare teatro. Produzione, distribuzione, gestione” di Mimma Gallina, NEW EDITION Franco Angeli 2016
Professor’s lecture notes to be asked to the e-mail: claudia.digiacomo@uniroma3.it
For students who will not attend classes:
“Ri-organizzare teatro. Produzione, distribuzione, gestione” di Mimma Gallina, NEW EDITION Franco Angeli 2016
IL SISTEMA TEATRALE. STORIA DELL'ORGANIZZAZIONE, DELL'ECONOMIA E DELLE POLITICHE DEL TEATRO IN ITALIA - CAVAGLIERI LIVIA - Editore AUDINO 2021,
More professor's lecture notes to be asked to the e-mail: claudia.digiacomo@uniroma3.it
Type of delivery of the course
3 hours lenght lessons in presence and on line. Guests of professionals working in the performing arts field can be present at some lessons.Type of evaluation
For students attending classes: oral examination on Ri-organizzare teatro. Produzione, distribuzione, gestione di Mimma Gallina 2016 and on management models seen during the course. For students non attending classes: oral examination on both books: Ri-organizzare teatro. Produzione, distribuzione, gestione di Mimma Gallina 2016, IL SISTEMA TEATRALE. STORIA DELL'ORGANIZZAZIONE, DELL'ECONOMIA E DELLE POLITICHE DEL TEATRO IN ITALIA - CAVAGLIERI LIVIA - Editore AUDINO 2021, and professor’s notes.