The course introduces the study of the actor in European theatrical cultures from the modern age to the twentieth century. In the first part, students will be provided with the necessary tools to identify and analyse the documentary sources of the art and the history of the actors. In the second part, the course will propose, through examples taken from the major experiences of theatres of the twentieth century, the processes of formation and creation of the principles of scenic life, with particular attention to the construction of the character and the composition of physical and vocal actions.
Curriculum
teacher profile teaching materials
Text books for the non-attending students : V. Mejercol’d, L’attore biomeccanico, a.c. di F. Malcovati, Cuepress, 2020
Programme
The course will propose, through examples taken from the major experiences of theatres of the twentieth century, the processes of formation and creation of the principles of scenic life, with particular attention to the construction of the character and the composition of physical and vocal actionsCore Documentation
Lecture notes edited by the teacher, (available at the beginning of the course on the site https://sites.google.com/com/site/stefanogeraci1); Vasilij Osipovič Toporkov Stanislavskij alle prove.Gli ultimi anni: il metodo delle azioni fisiche; CUE PRESS;L. Jouvet, Lezioni su Moliére, La casa Usher, 2023.Text books for the non-attending students : V. Mejercol’d, L’attore biomeccanico, a.c. di F. Malcovati, Cuepress, 2020
Type of delivery of the course
Frontal lessonsType of evaluation
Oral examination teacher profile teaching materials
Text books for the non-attending students : V. Mejercol’d, L’attore biomeccanico, a.c. di F. Malcovati, Cuepress, 2020
Mutuazione: 20705079 STORIA E PRATICHE DELL'ATTORE in DAMS (Discipline delle Arti, della Musica e dello Spettacolo) L-3 N0 GERACI STEFANO
Programme
The course will propose, through examples taken from the major experiences of theatres of the twentieth century, the processes of formation and creation of the principles of scenic life, with particular attention to the construction of the character and the composition of physical and vocal actionsCore Documentation
Lecture notes edited by the teacher, (available at the beginning of the course on the site https://sites.google.com/com/site/stefanogeraci1); Vasilij Osipovič Toporkov Stanislavskij alle prove.Gli ultimi anni: il metodo delle azioni fisiche; CUE PRESS;L. Jouvet, Lezioni su Moliére, La casa Usher, 2023.Text books for the non-attending students : V. Mejercol’d, L’attore biomeccanico, a.c. di F. Malcovati, Cuepress, 2020
Type of delivery of the course
Frontal lessonsType of evaluation
Oral examination