The course aims to provide students with the basic knowledge about the realization of an audiovisual product, through the direct involvement of the participants. In particular, it aims to provide knowledge concerning: 1) the three production steps of writing, production, post-production; 2) the functioning of audiovisual language, including its rhetoric; 3) the making of short audiovisual stories through easily accessible technological devices.
Curriculum
teacher profile teaching materials
David Lynch interviews
Wyes wide open by F.Raphael
A supposedly fun thing that I'll never do again by David Foster Wallace
L'image mouvement et l'image temp par G.Deleuze
Mutuazione: 20709148 LABORATORIO DI FILMMAKING 4 in DAMS (Discipline delle Arti, della Musica e dello Spettacolo) L-3 (docente da definire)
Programme
Basic language of cinema, theory and secret of images, writing and perception of images, screenwriting training, genre and paths of cinema, editing and mirage, longline, synopsis and film story.Core Documentation
Qu'est ce-que le cinéma par A.BazinDavid Lynch interviews
Wyes wide open by F.Raphael
A supposedly fun thing that I'll never do again by David Foster Wallace
L'image mouvement et l'image temp par G.Deleuze
Attendance
To be present in all 12 classes is necessary. 2 times not present can be accepted but to be explained.Type of evaluation
From the idea fo the film, screenwriting, shooting, editing and mixage on a digital device (PenDrive, HardDisk, link on Video or YouTube.) teacher profile teaching materials
David Lynch interviews
Wyes wide open by F.Raphael
A supposedly fun thing that I'll never do again by David Foster Wallace
L'image mouvement et l'image temp par G.Deleuze
Programme
Basic language of cinema, theory and secret of images, writing and perception of images, screenwriting training, genre and paths of cinema, editing and mirage, longline, synopsis and film story.Core Documentation
Qu'est ce-que le cinéma par A.BazinDavid Lynch interviews
Wyes wide open by F.Raphael
A supposedly fun thing that I'll never do again by David Foster Wallace
L'image mouvement et l'image temp par G.Deleuze
Reference Bibliography
The history of Italian cinema by G.BrunettaAttendance
To be present in all 12 classes is necessary. 2 times not present can be accepted but to be explained.Type of evaluation
From the idea fo the film, screenwriting, shooting, editing and mixage on a digital device (PenDrive, HardDisk, link on Video or YouTube.)