Music Technologies Lab
The Lab provides students with the basic skills in electroacoustic and multimedia technologies applied to music. In particular, students will be involved in the creation of compositional and performative projects that provide a practical use of the acquired technical skills. The Lab also aims to offer the opportunity to acquire a basic knowledge of music
The Lab provides students with the basic skills in electroacoustic and multimedia technologies applied to music. In particular, students will be involved in the creation of compositional and performative projects that provide a practical use of the acquired technical skills. The Lab also aims to offer the opportunity to acquire a basic knowledge of music
Curriculum
teacher profile teaching materials
Technological advancements have introduced new tools for music composition and production, significantly expanding expressive possibilities. Music notation software has radically altered practices of writing, reading, and arranging music, contributing to the emergence of hybrid compositional languages. At the same time, Digital Audio Workstations (DAWs) now represent the operational core of musical production, offering integrated environments for recording, editing, and post-production, and overcoming the limitations of traditional analog systems.
Musical performance has likewise evolved into a domain of technical and creative experimentation. Interaction with electronic devices, control software, and real-time processing systems expands performance practices. The integration of spatial dimensions and interactive models allows for a redefinition of performative acts within a technologically mediated musical perspective.
Part 1 – Music in the society of information, communication, and technology
1.1 The digital revolution and changes in musical processes
1.2 The impact of technological innovation on the creation and consumption of music
Part 2 – Sound design, electroacoustic composition, and expanded music
2.1 Practices in electroacoustic composition
2.2 Software for notation and music editing
2.3 DAWs (Digital Audio Workstations) as production tools
2.4 Expanded music: sound spatialization and interaction in performative environments
Part 3 – Musical performance and digital technologies
3.1 Digital performance: technology-mediated performance practices
3.2 Recording and production of musical tracks
3.3 Formats, platforms, and channels for sound distribution
Mutuazione: 20710327 LABORATORIO DI TECNOLOGIE MUSICALI in DAMS (Discipline delle Arti, della Musica e dello Spettacolo) L-3 R NAVARRO LALANDA SARA
Programme
In today's context, music is increasingly intertwined with the society of information, communication, and technology, where the digital revolution has profoundly transformed the processes of musical creation, distribution, and consumption. This transformation has redefined not only the role of composers and performers but also the modalities of interaction between artists and audiences.Technological advancements have introduced new tools for music composition and production, significantly expanding expressive possibilities. Music notation software has radically altered practices of writing, reading, and arranging music, contributing to the emergence of hybrid compositional languages. At the same time, Digital Audio Workstations (DAWs) now represent the operational core of musical production, offering integrated environments for recording, editing, and post-production, and overcoming the limitations of traditional analog systems.
Musical performance has likewise evolved into a domain of technical and creative experimentation. Interaction with electronic devices, control software, and real-time processing systems expands performance practices. The integration of spatial dimensions and interactive models allows for a redefinition of performative acts within a technologically mediated musical perspective.
Part 1 – Music in the society of information, communication, and technology
1.1 The digital revolution and changes in musical processes
1.2 The impact of technological innovation on the creation and consumption of music
Part 2 – Sound design, electroacoustic composition, and expanded music
2.1 Practices in electroacoustic composition
2.2 Software for notation and music editing
2.3 DAWs (Digital Audio Workstations) as production tools
2.4 Expanded music: sound spatialization and interaction in performative environments
Part 3 – Musical performance and digital technologies
3.1 Digital performance: technology-mediated performance practices
3.2 Recording and production of musical tracks
3.3 Formats, platforms, and channels for sound distribution
Attendance
Attendance is mandatory. A maximum of three absences is allowed.Type of evaluation
Throughout the laboratory, students will be required to present original music projects that integrate elements of composition, performance, and artistic research. teacher profile teaching materials
Technological advancements have introduced new tools for music composition and production, significantly expanding expressive possibilities. Music notation software has radically altered practices of writing, reading, and arranging music, contributing to the emergence of hybrid compositional languages. At the same time, Digital Audio Workstations (DAWs) now represent the operational core of musical production, offering integrated environments for recording, editing, and post-production, and overcoming the limitations of traditional analog systems.
Musical performance has likewise evolved into a domain of technical and creative experimentation. Interaction with electronic devices, control software, and real-time processing systems expands performance practices. The integration of spatial dimensions and interactive models allows for a redefinition of performative acts within a technologically mediated musical perspective.
Part 1 – Music in the society of information, communication, and technology
1.1 The digital revolution and changes in musical processes
1.2 The impact of technological innovation on the creation and consumption of music
Part 2 – Sound design, electroacoustic composition, and expanded music
2.1 Practices in electroacoustic composition
2.2 Software for notation and music editing
2.3 DAWs (Digital Audio Workstations) as production tools
2.4 Expanded music: sound spatialization and interaction in performative environments
Part 3 – Musical performance and digital technologies
3.1 Digital performance: technology-mediated performance practices
3.2 Recording and production of musical tracks
3.3 Formats, platforms, and channels for sound distribution
Mutuazione: 20710327 LABORATORIO DI TECNOLOGIE MUSICALI in DAMS (Discipline delle Arti, della Musica e dello Spettacolo) L-3 R NAVARRO LALANDA SARA
Programme
In today's context, music is increasingly intertwined with the society of information, communication, and technology, where the digital revolution has profoundly transformed the processes of musical creation, distribution, and consumption. This transformation has redefined not only the role of composers and performers but also the modalities of interaction between artists and audiences.Technological advancements have introduced new tools for music composition and production, significantly expanding expressive possibilities. Music notation software has radically altered practices of writing, reading, and arranging music, contributing to the emergence of hybrid compositional languages. At the same time, Digital Audio Workstations (DAWs) now represent the operational core of musical production, offering integrated environments for recording, editing, and post-production, and overcoming the limitations of traditional analog systems.
Musical performance has likewise evolved into a domain of technical and creative experimentation. Interaction with electronic devices, control software, and real-time processing systems expands performance practices. The integration of spatial dimensions and interactive models allows for a redefinition of performative acts within a technologically mediated musical perspective.
Part 1 – Music in the society of information, communication, and technology
1.1 The digital revolution and changes in musical processes
1.2 The impact of technological innovation on the creation and consumption of music
Part 2 – Sound design, electroacoustic composition, and expanded music
2.1 Practices in electroacoustic composition
2.2 Software for notation and music editing
2.3 DAWs (Digital Audio Workstations) as production tools
2.4 Expanded music: sound spatialization and interaction in performative environments
Part 3 – Musical performance and digital technologies
3.1 Digital performance: technology-mediated performance practices
3.2 Recording and production of musical tracks
3.3 Formats, platforms, and channels for sound distribution
Attendance
Attendance is mandatory. A maximum of three absences is allowed.Type of evaluation
Throughout the laboratory, students will be required to present original music projects that integrate elements of composition, performance, and artistic research. teacher profile teaching materials
Technological advancements have introduced new tools for music composition and production, significantly expanding expressive possibilities. Music notation software has radically altered practices of writing, reading, and arranging music, contributing to the emergence of hybrid compositional languages. At the same time, Digital Audio Workstations (DAWs) now represent the operational core of musical production, offering integrated environments for recording, editing, and post-production, and overcoming the limitations of traditional analog systems.
Musical performance has likewise evolved into a domain of technical and creative experimentation. Interaction with electronic devices, control software, and real-time processing systems expands performance practices. The integration of spatial dimensions and interactive models allows for a redefinition of performative acts within a technologically mediated musical perspective.
Part 1 – Music in the society of information, communication, and technology
1.1 The digital revolution and changes in musical processes
1.2 The impact of technological innovation on the creation and consumption of music
Part 2 – Sound design, electroacoustic composition, and expanded music
2.1 Practices in electroacoustic composition
2.2 Software for notation and music editing
2.3 DAWs (Digital Audio Workstations) as production tools
2.4 Expanded music: sound spatialization and interaction in performative environments
Part 3 – Musical performance and digital technologies
3.1 Digital performance: technology-mediated performance practices
3.2 Recording and production of musical tracks
3.3 Formats, platforms, and channels for sound distribution
Mutuazione: 20710327 LABORATORIO DI TECNOLOGIE MUSICALI in DAMS (Discipline delle Arti, della Musica e dello Spettacolo) L-3 R NAVARRO LALANDA SARA
Programme
In today's context, music is increasingly intertwined with the society of information, communication, and technology, where the digital revolution has profoundly transformed the processes of musical creation, distribution, and consumption. This transformation has redefined not only the role of composers and performers but also the modalities of interaction between artists and audiences.Technological advancements have introduced new tools for music composition and production, significantly expanding expressive possibilities. Music notation software has radically altered practices of writing, reading, and arranging music, contributing to the emergence of hybrid compositional languages. At the same time, Digital Audio Workstations (DAWs) now represent the operational core of musical production, offering integrated environments for recording, editing, and post-production, and overcoming the limitations of traditional analog systems.
Musical performance has likewise evolved into a domain of technical and creative experimentation. Interaction with electronic devices, control software, and real-time processing systems expands performance practices. The integration of spatial dimensions and interactive models allows for a redefinition of performative acts within a technologically mediated musical perspective.
Part 1 – Music in the society of information, communication, and technology
1.1 The digital revolution and changes in musical processes
1.2 The impact of technological innovation on the creation and consumption of music
Part 2 – Sound design, electroacoustic composition, and expanded music
2.1 Practices in electroacoustic composition
2.2 Software for notation and music editing
2.3 DAWs (Digital Audio Workstations) as production tools
2.4 Expanded music: sound spatialization and interaction in performative environments
Part 3 – Musical performance and digital technologies
3.1 Digital performance: technology-mediated performance practices
3.2 Recording and production of musical tracks
3.3 Formats, platforms, and channels for sound distribution
Attendance
Attendance is mandatory. A maximum of three absences is allowed.Type of evaluation
Throughout the laboratory, students will be required to present original music projects that integrate elements of composition, performance, and artistic research. teacher profile teaching materials
Technological advancements have introduced new tools for music composition and production, significantly expanding expressive possibilities. Music notation software has radically altered practices of writing, reading, and arranging music, contributing to the emergence of hybrid compositional languages. At the same time, Digital Audio Workstations (DAWs) now represent the operational core of musical production, offering integrated environments for recording, editing, and post-production, and overcoming the limitations of traditional analog systems.
Musical performance has likewise evolved into a domain of technical and creative experimentation. Interaction with electronic devices, control software, and real-time processing systems expands performance practices. The integration of spatial dimensions and interactive models allows for a redefinition of performative acts within a technologically mediated musical perspective.
Part 1 – Music in the society of information, communication, and technology
1.1 The digital revolution and changes in musical processes
1.2 The impact of technological innovation on the creation and consumption of music
Part 2 – Sound design, electroacoustic composition, and expanded music
2.1 Practices in electroacoustic composition
2.2 Software for notation and music editing
2.3 DAWs (Digital Audio Workstations) as production tools
2.4 Expanded music: sound spatialization and interaction in performative environments
Part 3 – Musical performance and digital technologies
3.1 Digital performance: technology-mediated performance practices
3.2 Recording and production of musical tracks
3.3 Formats, platforms, and channels for sound distribution
Programme
In today's context, music is increasingly intertwined with the society of information, communication, and technology, where the digital revolution has profoundly transformed the processes of musical creation, distribution, and consumption. This transformation has redefined not only the role of composers and performers but also the modalities of interaction between artists and audiences.Technological advancements have introduced new tools for music composition and production, significantly expanding expressive possibilities. Music notation software has radically altered practices of writing, reading, and arranging music, contributing to the emergence of hybrid compositional languages. At the same time, Digital Audio Workstations (DAWs) now represent the operational core of musical production, offering integrated environments for recording, editing, and post-production, and overcoming the limitations of traditional analog systems.
Musical performance has likewise evolved into a domain of technical and creative experimentation. Interaction with electronic devices, control software, and real-time processing systems expands performance practices. The integration of spatial dimensions and interactive models allows for a redefinition of performative acts within a technologically mediated musical perspective.
Part 1 – Music in the society of information, communication, and technology
1.1 The digital revolution and changes in musical processes
1.2 The impact of technological innovation on the creation and consumption of music
Part 2 – Sound design, electroacoustic composition, and expanded music
2.1 Practices in electroacoustic composition
2.2 Software for notation and music editing
2.3 DAWs (Digital Audio Workstations) as production tools
2.4 Expanded music: sound spatialization and interaction in performative environments
Part 3 – Musical performance and digital technologies
3.1 Digital performance: technology-mediated performance practices
3.2 Recording and production of musical tracks
3.3 Formats, platforms, and channels for sound distribution
Attendance
Attendance is mandatory. A maximum of three absences is allowed.Type of evaluation
Throughout the laboratory, students will be required to present original music projects that integrate elements of composition, performance, and artistic research.