The course focuses on the relationship between cinema and technology, deepening its theoretical implications and its effects on the aesthetic, languages and film direction.
Curriculum
teacher profile teaching materials
Paying particular attention to the conjunction between theories and practices, the course will focus on styles of the new animation products looking firstly at the dialectic between innovation and tradition, but also between aesthetic and narrative forms coming from different cultural paradigms. Without forgetting the way in which animation software is also used in live action cinema, the course will highlight how the concept of "re-animation" should also be understood as revitalization and problematization, carried out by animation itself, of historical, political and cultural issues involving new moving images.
C. Uva, Il sistema Pixar, Il Mulino, Bologna 2017.
Handout.
Mutuazione: 20710402 CINEMA E TECNOLOGIA in Cinema, televisione e produzione multimediale LM-65 UVA CHRISTIAN
Programme
Re-Animation: contemporary animation as new dominant logic of moving images.Paying particular attention to the conjunction between theories and practices, the course will focus on styles of the new animation products looking firstly at the dialectic between innovation and tradition, but also between aesthetic and narrative forms coming from different cultural paradigms. Without forgetting the way in which animation software is also used in live action cinema, the course will highlight how the concept of "re-animation" should also be understood as revitalization and problematization, carried out by animation itself, of historical, political and cultural issues involving new moving images.
Core Documentation
C. Uva, P. Wells (a cura di), Re-Animation.L’animazione contemporanea tra cinema, televisione, videoarte e nuovi media, «Imago. Studi di cinema e media», n. 16, 2017.C. Uva, Il sistema Pixar, Il Mulino, Bologna 2017.
Handout.
Type of delivery of the course
Lessons in classroomAttendance
Attendance is not mandatory but is strongly recommendedType of evaluation
Oral test teacher profile teaching materials
Paying particular attention to the conjunction between theories and practices, the course will focus on styles of the new animation products looking firstly at the dialectic between innovation and tradition, but also between aesthetic and narrative forms coming from different cultural paradigms. Without forgetting the way in which animation software is also used in live action cinema, the course will highlight how the concept of "re-animation" should also be understood as revitalization and problematization, carried out by animation itself, of historical, political and cultural issues involving new moving images.
C. Uva, Il sistema Pixar, Il Mulino, Bologna 2017.
Handout.
Mutuazione: 20710402 CINEMA E TECNOLOGIA in Cinema, televisione e produzione multimediale LM-65 UVA CHRISTIAN
Programme
Re-Animation: contemporary animation as new dominant logic of moving images.Paying particular attention to the conjunction between theories and practices, the course will focus on styles of the new animation products looking firstly at the dialectic between innovation and tradition, but also between aesthetic and narrative forms coming from different cultural paradigms. Without forgetting the way in which animation software is also used in live action cinema, the course will highlight how the concept of "re-animation" should also be understood as revitalization and problematization, carried out by animation itself, of historical, political and cultural issues involving new moving images.
Core Documentation
C. Uva, P. Wells (a cura di), Re-Animation.L’animazione contemporanea tra cinema, televisione, videoarte e nuovi media, «Imago. Studi di cinema e media», n. 16, 2017.C. Uva, Il sistema Pixar, Il Mulino, Bologna 2017.
Handout.
Type of delivery of the course
Lessons in classroomAttendance
Attendance is not mandatory but is strongly recommendedType of evaluation
Oral test