The course aims to give the students elements of knowledge of scenic composition principles and methods, exploring the possible combinations of the different expressive elements of the theatrical work (body, word, movement, space, sound, light) in a single creative process, with reference to concrete experiences,
historical and current, within the most aware theatrical research.
historical and current, within the most aware theatrical research.
Curriculum
teacher profile teaching materials
- In the first part the course will present and analyse the principles of scenic composition through the new perspectives opened by the cognitive sciences and the theories of embodied cognition.
- Then, the works and the theories of Edward Gordon Craig will be analysed.
- In the last part the methodologies of scenic composition of the Odin Teatret and the theoretical writings of Eugenio Barba will be studied.
- Edward Gordon Craig, “L’arte del teatro. Il mio teatro” a cura di Ferruccio Marotti, Cue Press, 2016.
- Selection of writings by Eugenio Barba. This document can be requested sending an email to gabriele.sofia@uniroma3.it
FOR NON-ATTENDING STUDENTS
- Eugenio Barba, “La Canoa di Carta. Trattato di Antropologia teatrale”, Bologna, Il Mulino, 1993.
Programme
The course will be made up of three sections:- In the first part the course will present and analyse the principles of scenic composition through the new perspectives opened by the cognitive sciences and the theories of embodied cognition.
- Then, the works and the theories of Edward Gordon Craig will be analysed.
- In the last part the methodologies of scenic composition of the Odin Teatret and the theoretical writings of Eugenio Barba will be studied.
Core Documentation
- Gabriele Sofia, “Le acrobazie dello spettatore. Dal teatro alle neuroscienze e ritorno”, Roma, Bulzoni, 2013.- Edward Gordon Craig, “L’arte del teatro. Il mio teatro” a cura di Ferruccio Marotti, Cue Press, 2016.
- Selection of writings by Eugenio Barba. This document can be requested sending an email to gabriele.sofia@uniroma3.it
FOR NON-ATTENDING STUDENTS
- Eugenio Barba, “La Canoa di Carta. Trattato di Antropologia teatrale”, Bologna, Il Mulino, 1993.
Type of delivery of the course
In case of need and university directives, the course will take place remotelyType of evaluation
Oral exam teacher profile teaching materials
- In the first part the course will present and analyse the principles of scenic composition through the new perspectives opened by the cognitive sciences and the theories of embodied cognition.
- Then, the works and the theories of Edward Gordon Craig will be analysed.
- In the last part the methodologies of scenic composition of the Odin Teatret and the theoretical writings of Eugenio Barba will be studied.
- Edward Gordon Craig, “L’arte del teatro. Il mio teatro” a cura di Ferruccio Marotti, Cue Press, 2016.
- Selection of writings by Eugenio Barba. This document can be requested sending an email to gabriele.sofia@uniroma3.it
FOR NON-ATTENDING STUDENTS
- Eugenio Barba, “La Canoa di Carta. Trattato di Antropologia teatrale”, Bologna, Il Mulino, 1993.
Mutuazione: 20710266 PRINCIPI E METODI DELLA COMPOSIZIONE SCENICA in DAMS Teatro, musica, danza LM-65 SOFIA GABRIELE
Programme
The course will be made up of three sections:- In the first part the course will present and analyse the principles of scenic composition through the new perspectives opened by the cognitive sciences and the theories of embodied cognition.
- Then, the works and the theories of Edward Gordon Craig will be analysed.
- In the last part the methodologies of scenic composition of the Odin Teatret and the theoretical writings of Eugenio Barba will be studied.
Core Documentation
- Gabriele Sofia, “Le acrobazie dello spettatore. Dal teatro alle neuroscienze e ritorno”, Roma, Bulzoni, 2013.- Edward Gordon Craig, “L’arte del teatro. Il mio teatro” a cura di Ferruccio Marotti, Cue Press, 2016.
- Selection of writings by Eugenio Barba. This document can be requested sending an email to gabriele.sofia@uniroma3.it
FOR NON-ATTENDING STUDENTS
- Eugenio Barba, “La Canoa di Carta. Trattato di Antropologia teatrale”, Bologna, Il Mulino, 1993.
Type of delivery of the course
In case of need and university directives, the course will take place remotelyType of evaluation
Oral exam