20710386-2 - New musical technologies: Aesthetics and Utilizations 2

Historiographic, aesthetic and pragmatic rudiments in the creation and interpretation of electronic and electroacoustic music with a primary reference to soundtrack and multisensoriality
teacher profile | teaching materials

Programme

1 – tékhne-loghìa
Estetica
tékhne-loghìa / John Cage / Imaginary Landscape n°5
Pratica
Imaginary landscape n°5 (1)

2 – musica concreta
Estetica
futurismo / musica concreta / INA-GRM
Pratica
Imaginary landscape n°5 (2)

3 – oggetto sonoro
Estetica
giudizio culturale / giudizio sensoriale / Traité des objects musicaux
Pratica
storia sonora (1)

4 – opera d’arte totale
Estetica
idea musicale / opera d’arte totale / Poème èlectronique
Pratica
storia sonora (2)

5 – serialità e strutturalismo
Estetica
dodecafonia / scuola di Darmstadt / Studie II
Pratica
sintesi additiva (1)

6 – musica digitale
Estetica
sintesi additiva / musica digitale / Max Mathews
Pratica
sintesi additiva (2)

7 – il tempo reale
Estetica
‘action sounding’ / il tempo reale / Giuseppe Di Giugno
Pratica
composizione (1)

8 – opere e strumenti
Estetica
gesto espressivo / strumenti aumentati / installazioni sonore d’arte
Pratica
composizione (2)


Core Documentation

bibliography, websites and listens indicated during the course

Reference Bibliography

bibliography, sitography and listens indicated during the course

Type of delivery of the course

Theoretical lessons with links and bibliographical references Practical lessons with music technologies and professional software

Attendance

Theoretical lessons with links and bibliographical references Practical lessons with music technologies and professional software

Type of evaluation

Written exam with questionnaire and oral examination Evaluation of the exercises carried out during the course