Programme

1 – tékhne-loghìa
Theory
tékhne-loghìa / John Cage / Imaginary Landscape n°5
Practice
Imaginary landscape n°5 (1)

2 – musique concrete
Theory
futurism / musique concrete / INA-GRM
Practice
Imaginary landscape n°5 (2)

3 – sound object
Theory
cultural judgment / sensory judgment / Traité des objects musicaux
Practice
sound story (1)

4 – total work of art
Theory
musical idea / total work of art / Poème èlectronique
Practice
sound story (2)

5 – seriality and structuralism
Theory
dodecaphony / Darmstadt school / Studie II
Practice
additive synthesis (1)

6 – digital music
Theory
additive synthesis / digital music / Max Mathews
Pratica
additive synthesis (2)

7 – real time
Theory
‘action sounding’ / real time / Giuseppe Di Giugno
Practice
composition (1)

8 – works and instruments
Theory
espressive gesture / augmented instruments / sound art installations
Practice
composition (2)

Core Documentation

Bibliography, websites and listens indicated during the course

Type of delivery of the course

Theoretical lessons online with links and bibliographical references Practical lessons with music technologies and professional software

Attendance

Theoretical and practical lessons with students connected to the network. Lessons are also recorded for non-attending students.

Type of evaluation

Oral test with questions and insights chosen by the student. Delivery and evaluation of the exercises carried out during the course.

Programme

1 – tékhne-loghìa
Theory
tékhne-loghìa / John Cage / Imaginary Landscape n°5
Practice
Imaginary landscape n°5 (1)

2 – musique concrete
Theory
futurism / musique concrete / INA-GRM
Practice
Imaginary landscape n°5 (2)

3 – sound object
Theory
cultural judgment / sensory judgment / Traité des objects musicaux
Practice
sound story (1)

4 – total work of art
Theory
musical idea / total work of art / Poème èlectronique
Practice
sound story (2)

5 – seriality and structuralism
Theory
dodecaphony / Darmstadt school / Studie II
Practice
additive synthesis (1)

6 – digital music
Theory
additive synthesis / digital music / Max Mathews
Pratica
additive synthesis (2)

7 – real time
Theory
‘action sounding’ / real time / Giuseppe Di Giugno
Practice
composition (1)

8 – works and instruments
Theory
espressive gesture / augmented instruments / sound art installations
Practice
composition (2)

Core Documentation

Bibliography, websites and listens indicated during the course

Reference Bibliography

Bibliography, websites and listens indicated during the course

Type of delivery of the course

Theoretical lessons online with links and bibliographical references Practical lessons with music technologies and professional software

Attendance

Theoretical and practical lessons with students connected to the network. Lessons are also recorded for non-attending students.

Type of evaluation

Oral test with questions and insights chosen by the student. Delivery and evaluation of the exercises carried out during the course.