Historiographic, aesthetic and pragmatic rudiments in the creation and interpretation of electronic and electroacoustic music with a primary reference to soundtrack and multisensoriality
Curriculum
teacher profile teaching materials
Other guests at the Studio di Fonologia. Other studios in Europe with special reference to the Italian reality (Pietro Grossi and the SF2M in Florence, the NPS and Teresa Rampazzi in Padua, Enore Zaffiri and the SMET in Turin).
Analog synthesizers and Voltage-Control technologies. Robert Moog and Donald Buchla. Synket, Arp and Ems. The work of Wendy Carlos ("Switched on Bach").
The birth of Computer Music. Conceptual foundations and purposes. Max Mathews and Jean-Claude Risset ("Inharmonique"; "Contours"). John Chowning ("Stria") and James Dashow ("Conditional assemblies"). Computer-assisted composition. The MIDI standard. Denis Smalley ("Wind Chimes"), Trevor Wishart ("Vox 5"). The CSC of Padua and The IRCAM of Paris.
Aesthetics of electroacoustic music: problems and perspectives.
Mutuazione: 20710386-2 ESTETICHE E PRATICHE DELLE NUOVE TECNOLOGIE MUSICALI 2 in DAMS Teatro, musica, danza LM-65 Scuderi Cristina
Programme
The Studio di Fonologia della RAI in Milan: projects and productions. Bruno Maderna ("Notturno"; "Continuo") and Luciano Berio ("Thema. Omaggio a Joyce"; "Visage"). Luigi Nono's work at the Milan studio ("Omaggio a Vedova"; "Contrappunto dialettico alla mente"). Live electronics.Other guests at the Studio di Fonologia. Other studios in Europe with special reference to the Italian reality (Pietro Grossi and the SF2M in Florence, the NPS and Teresa Rampazzi in Padua, Enore Zaffiri and the SMET in Turin).
Analog synthesizers and Voltage-Control technologies. Robert Moog and Donald Buchla. Synket, Arp and Ems. The work of Wendy Carlos ("Switched on Bach").
The birth of Computer Music. Conceptual foundations and purposes. Max Mathews and Jean-Claude Risset ("Inharmonique"; "Contours"). John Chowning ("Stria") and James Dashow ("Conditional assemblies"). Computer-assisted composition. The MIDI standard. Denis Smalley ("Wind Chimes"), Trevor Wishart ("Vox 5"). The CSC of Padua and The IRCAM of Paris.
Aesthetics of electroacoustic music: problems and perspectives.
Attendance
Weekly lessonsType of evaluation
Oral exam teacher profile teaching materials
Other guests at the Studio di Fonologia. Other studios in Europe with special reference to the Italian reality (Pietro Grossi and the SF2M in Florence, the NPS and Teresa Rampazzi in Padua, Enore Zaffiri and the SMET in Turin).
Analog synthesizers and Voltage-Control technologies. Robert Moog and Donald Buchla. Synket, Arp and Ems. The work of Wendy Carlos ("Switched on Bach").
The birth of Computer Music. Conceptual foundations and purposes. Max Mathews and Jean-Claude Risset ("Inharmonique"; "Contours"). John Chowning ("Stria") and James Dashow ("Conditional assemblies"). Computer-assisted composition. The MIDI standard. Denis Smalley ("Wind Chimes"), Trevor Wishart ("Vox 5"). The CSC of Padua and The IRCAM of Paris.
Aesthetics of electroacoustic music: problems and perspectives.
Programme
The Studio di Fonologia della RAI in Milan: projects and productions. Bruno Maderna ("Notturno"; "Continuo") and Luciano Berio ("Thema. Omaggio a Joyce"; "Visage"). Luigi Nono's work at the Milan studio ("Omaggio a Vedova"; "Contrappunto dialettico alla mente"). Live electronics.Other guests at the Studio di Fonologia. Other studios in Europe with special reference to the Italian reality (Pietro Grossi and the SF2M in Florence, the NPS and Teresa Rampazzi in Padua, Enore Zaffiri and the SMET in Turin).
Analog synthesizers and Voltage-Control technologies. Robert Moog and Donald Buchla. Synket, Arp and Ems. The work of Wendy Carlos ("Switched on Bach").
The birth of Computer Music. Conceptual foundations and purposes. Max Mathews and Jean-Claude Risset ("Inharmonique"; "Contours"). John Chowning ("Stria") and James Dashow ("Conditional assemblies"). Computer-assisted composition. The MIDI standard. Denis Smalley ("Wind Chimes"), Trevor Wishart ("Vox 5"). The CSC of Padua and The IRCAM of Paris.
Aesthetics of electroacoustic music: problems and perspectives.
Attendance
Weekly lessonsType of evaluation
Oral exam