20709116 - FORMS AND LANGUAGES OF CONTEMPORARY MUSIC

The course encourages the development of students’ capacity for autonomous interpretation and critical evualuation of contemporary artistic practices, especially in the field of music.
teacher profile | teaching materials

Programme

Historical route:
The student will study independently the most significant movements and authors of the twentieth century. A short list of compositions to listen to will be provided.
Focus:
The course will deepen some paths in 20th century Italian music, with particular attention to the musical context in Rome.


Core Documentation

Historical route:
ELVIDIO SURIAN, Manuale di Storia della Musica, Vol. IV (Il Novecento, solo parti selezionate), Milano, Rugginenti, 2002 integrated with Musica e società, 3: dal 1830 al 2000, a cura di Virgilio Bernardoni e Paolo Fabbri, Lucca, LIM, 2016, il solo cap. 12; Gthe non-musically literate will avoid the study of the more technical sections of these manuals, replacing it with GIACOMO FRONZI, Percorsi musicali del Novecento. Storie, personaggi, poetiche da Schönberg a Sciarrino, Roma, Carocci, 2021.
Focus:
JEAN NOEL VON DER WEID, La musica del XX secolo, Ricordi – LIM [Le sfere], Milano, 2002; pp. 158-166 [Italia], pp. 325-331 [Nono]; pp. 337-340 [Berio] e pp. 432-460 [Musica italiana 1945-1999]
Texts and further handouts will be made available, together with their list, on the Moodle platform.

Attendance

Attendance is not mandatory but highly recommended

Type of evaluation

Discussion about lesson arguments and texts indicated in the bibliography.