The course aims to give the students elements of knowledge of scenic composition principles and methods, exploring the possible combinations of the different expressive elements of the theatrical work (body, word, movement, space, sound, light) in a single creative process, with reference to concrete experiences,
historical and current, within the most aware theatrical research.
historical and current, within the most aware theatrical research.
Curriculum
teacher profile teaching materials
- In the first part the course will present and analyse the principles of scenic composition through the new perspectives opened by the cognitive sciences and the theories of embodied cognition.
- Then, the works and the theories of the Russians director Vsevolod Meyerhold will be analysed.
- Vsevolod Mejerchol'd, “Sul teatro. Scritti 1907-1912”, Roma, Dino Audino Editore, 2015.
- Angelo Maria Ripellino, “Il trucco e l'anima. I maestri della regia nel teatro russo del Novecento”, Torino, Einaudi Editore, 2002.
FOR NON-ATTENDING STUDENTS:
- Vsevolod Mejerchol'd, "L'Ottobre Teatrale. 1918-1939", Imola, Cue Press, 2020.
Programme
The course will be made up of two sections:- In the first part the course will present and analyse the principles of scenic composition through the new perspectives opened by the cognitive sciences and the theories of embodied cognition.
- Then, the works and the theories of the Russians director Vsevolod Meyerhold will be analysed.
Core Documentation
- Gabriele Sofia, “Le acrobazie dello spettatore. Dal teatro alle neuroscienze e ritorno”, Roma, Bulzoni, 2013.- Vsevolod Mejerchol'd, “Sul teatro. Scritti 1907-1912”, Roma, Dino Audino Editore, 2015.
- Angelo Maria Ripellino, “Il trucco e l'anima. I maestri della regia nel teatro russo del Novecento”, Torino, Einaudi Editore, 2002.
FOR NON-ATTENDING STUDENTS:
- Vsevolod Mejerchol'd, "L'Ottobre Teatrale. 1918-1939", Imola, Cue Press, 2020.
Type of delivery of the course
In case of need and university directives, the course will take place remotelyType of evaluation
Oral exam teacher profile teaching materials
- In the first part the course will present and analyse the principles of scenic composition through the new perspectives opened by the cognitive sciences and the theories of embodied cognition.
- Then, the works and the theories of the Russians director Vsevolod Meyerhold will be analysed.
- Vsevolod Mejerchol'd, “Sul teatro. Scritti 1907-1912”, Roma, Dino Audino Editore, 2015.
- Angelo Maria Ripellino, “Il trucco e l'anima. I maestri della regia nel teatro russo del Novecento”, Torino, Einaudi Editore, 2002.
FOR NON-ATTENDING STUDENTS:
- Vsevolod Mejerchol'd, "L'Ottobre Teatrale. 1918-1939", Imola, Cue Press, 2020.
Mutuazione: 20710266 PRINCIPI E METODI DELLA COMPOSIZIONE SCENICA in DAMS Teatro, musica, danza LM-65 R SOFIA GABRIELE
Programme
The course will be made up of two sections:- In the first part the course will present and analyse the principles of scenic composition through the new perspectives opened by the cognitive sciences and the theories of embodied cognition.
- Then, the works and the theories of the Russians director Vsevolod Meyerhold will be analysed.
Core Documentation
- Gabriele Sofia, “Le acrobazie dello spettatore. Dal teatro alle neuroscienze e ritorno”, Roma, Bulzoni, 2013.- Vsevolod Mejerchol'd, “Sul teatro. Scritti 1907-1912”, Roma, Dino Audino Editore, 2015.
- Angelo Maria Ripellino, “Il trucco e l'anima. I maestri della regia nel teatro russo del Novecento”, Torino, Einaudi Editore, 2002.
FOR NON-ATTENDING STUDENTS:
- Vsevolod Mejerchol'd, "L'Ottobre Teatrale. 1918-1939", Imola, Cue Press, 2020.
Type of delivery of the course
In case of need and university directives, the course will take place remotelyType of evaluation
Oral exam