20110867 - Attività: On «Roma, mater legum» and artists: the roman law through painters’ eyes

The course aims to offer an original perspective on the Roman law through the masterpieces of the great artists whose paintings represented the Roman past. Topics studied include the role of religion and myth in ancient Rome, politics and warfare, the status of women and other subjects pertaining to the Roman World. By the end of the module it is expected that students should have the knowledge and understanding to account how each artist has interpreted the ancient Roman world, and why does this world inspired painters.
teacher profile | teaching materials

Programme

The course aims to offer an original perspective on the Roman law through the masterpieces of the great artists whose paintings represented the Roman past. Topics studied include the role of religion and myth in ancient Rome, politics and warfare, the status of women and other subjects pertaining to the Roman World. By the end of the module it is expected that students should have the knowledge and understanding to account how each artist has interpreted the ancient Roman world, and why does this world inspired painters.

Core Documentation

Attending students:
Given the experimental nature of the course, no textbook will be adopted at this stage. The final examination will be based on the essays uploaded by the Professor in the Course Materials section of the e-learning platform: https://giurisprudenza.el.uniroma3.it/course/view.php?id=2926

Non-attending students:
S. GALEOTTI, De Chirico e Lucrezia Romana, Pisa: Pacini editore, 2023.

Type of delivery of the course

The teaching method aims to promote learning through online lessons through MicrosoftTeams. Are considered non-attending students those who have less than 24 hours (12 lessons) of attendance in class.

Attendance

Attendance is not compulsory but is strongly encouraged to facilitate a better understanding of the subject.

Type of evaluation

Attending students: The exam will be oral and will assess the student’s ability to analyze, interpret, and critically comment on the assigned materials, establishing connections among art, history, literature, and law. Alternatively, the oral examination may be replaced by a written paper (minimum 18,000 / maximum 36,000 characters, including spaces, bibliography excluded) focusing on a single artwork discussed in the course, to be agreed upon with the Professor. The paper must be entirely original. The use of AI applications is not permitted. The Professor makes use of anti-plagiarism tools. Non-attending students: The final exam will be oral and it will focus on S. GALEOTTI, De Chirico e Lucrezia Romana, Pisa: Pacini editore, 2023. The final grade is expressed in letters. C corresponds to a sufficient, yet low and basic, knowledge of the subject; B shows a more than sufficient / discreet knowledge of the subject; A shows a good or very good knowledge of the subject as well as a commendable critical skills. A+ corresponds to a very good or excellent knowledge along with high critical, analytical and connection skills. Language of the oral exam: Italian