Curriculum
teacher profile teaching materials
- In the first part the course will present and analyse the principles of scenic composition through the new perspectives opened by the cognitive sciences and the theories of embodied cognition.
- Then, the works and the theories of the Russians director Vsevolod Meyerhold will be analysed.
- Vsevolod Mejerchol'd, “Sul teatro. Scritti 1907-1912”, Roma, Dino Audino Editore, 2015.
- Angelo Maria Ripellino, “Il trucco e l'anima. I maestri della regia nel teatro russo del Novecento”, Torino, Einaudi Editore, 2002.
FOR NON-ATTENDING STUDENTS:
- Vsevolod Mejerchol'd, "L'Ottobre Teatrale. 1918-1939", Imola, Cue Press, 2020.
Mutuazione: 20710266 PRINCIPI E METODI DELLA COMPOSIZIONE SCENICA in DAMS Teatro, musica, danza LM-65 R SOFIA GABRIELE
Programme
The course will be made up of two sections:- In the first part the course will present and analyse the principles of scenic composition through the new perspectives opened by the cognitive sciences and the theories of embodied cognition.
- Then, the works and the theories of the Russians director Vsevolod Meyerhold will be analysed.
Core Documentation
- Gabriele Sofia, “Le acrobazie dello spettatore. Dal teatro alle neuroscienze e ritorno”, Roma, Bulzoni, 2013.- Vsevolod Mejerchol'd, “Sul teatro. Scritti 1907-1912”, Roma, Dino Audino Editore, 2015.
- Angelo Maria Ripellino, “Il trucco e l'anima. I maestri della regia nel teatro russo del Novecento”, Torino, Einaudi Editore, 2002.
FOR NON-ATTENDING STUDENTS:
- Vsevolod Mejerchol'd, "L'Ottobre Teatrale. 1918-1939", Imola, Cue Press, 2020.
Type of delivery of the course
In case of need and university directives, the course will take place remotelyType of evaluation
Oral exam teacher profile teaching materials
- In the first part the course will present and analyse the principles of scenic composition through the new perspectives opened by the cognitive sciences and the theories of embodied cognition.
- Then, the works and the theories of the Russians director Vsevolod Meyerhold will be analysed.
- Vsevolod Mejerchol'd, “Sul teatro. Scritti 1907-1912”, Roma, Dino Audino Editore, 2015.
- Angelo Maria Ripellino, “Il trucco e l'anima. I maestri della regia nel teatro russo del Novecento”, Torino, Einaudi Editore, 2002.
FOR NON-ATTENDING STUDENTS:
- Vsevolod Mejerchol'd, "L'Ottobre Teatrale. 1918-1939", Imola, Cue Press, 2020.
Mutuazione: 20710266 PRINCIPI E METODI DELLA COMPOSIZIONE SCENICA in DAMS Teatro, musica, danza LM-65 R SOFIA GABRIELE
Programme
The course will be made up of two sections:- In the first part the course will present and analyse the principles of scenic composition through the new perspectives opened by the cognitive sciences and the theories of embodied cognition.
- Then, the works and the theories of the Russians director Vsevolod Meyerhold will be analysed.
Core Documentation
- Gabriele Sofia, “Le acrobazie dello spettatore. Dal teatro alle neuroscienze e ritorno”, Roma, Bulzoni, 2013.- Vsevolod Mejerchol'd, “Sul teatro. Scritti 1907-1912”, Roma, Dino Audino Editore, 2015.
- Angelo Maria Ripellino, “Il trucco e l'anima. I maestri della regia nel teatro russo del Novecento”, Torino, Einaudi Editore, 2002.
FOR NON-ATTENDING STUDENTS:
- Vsevolod Mejerchol'd, "L'Ottobre Teatrale. 1918-1939", Imola, Cue Press, 2020.
Type of delivery of the course
In case of need and university directives, the course will take place remotelyType of evaluation
Oral exam teacher profile teaching materials
- In the first part the course will present and analyse the principles of scenic composition through the new perspectives opened by the cognitive sciences and the theories of embodied cognition.
- Then, the works and the theories of the Russians director Vsevolod Meyerhold will be analysed.
- Vsevolod Mejerchol'd, “Sul teatro. Scritti 1907-1912”, Roma, Dino Audino Editore, 2015.
- Angelo Maria Ripellino, “Il trucco e l'anima. I maestri della regia nel teatro russo del Novecento”, Torino, Einaudi Editore, 2002.
FOR NON-ATTENDING STUDENTS:
- Vsevolod Mejerchol'd, "L'Ottobre Teatrale. 1918-1939", Imola, Cue Press, 2020.
Mutuazione: 20710266 PRINCIPI E METODI DELLA COMPOSIZIONE SCENICA in DAMS Teatro, musica, danza LM-65 R SOFIA GABRIELE
Programme
The course will be made up of two sections:- In the first part the course will present and analyse the principles of scenic composition through the new perspectives opened by the cognitive sciences and the theories of embodied cognition.
- Then, the works and the theories of the Russians director Vsevolod Meyerhold will be analysed.
Core Documentation
- Gabriele Sofia, “Le acrobazie dello spettatore. Dal teatro alle neuroscienze e ritorno”, Roma, Bulzoni, 2013.- Vsevolod Mejerchol'd, “Sul teatro. Scritti 1907-1912”, Roma, Dino Audino Editore, 2015.
- Angelo Maria Ripellino, “Il trucco e l'anima. I maestri della regia nel teatro russo del Novecento”, Torino, Einaudi Editore, 2002.
FOR NON-ATTENDING STUDENTS:
- Vsevolod Mejerchol'd, "L'Ottobre Teatrale. 1918-1939", Imola, Cue Press, 2020.
Type of delivery of the course
In case of need and university directives, the course will take place remotelyType of evaluation
Oral exam