20710121 - LINGUA E LETTERATURA GRECA II

The student will acquire knowledge of a fundamental Greek creation, the theater, in its different aspects both of religious and political event, and of cultural, literary and dramaturgical experience.

Curriculum

teacher profile | teaching materials

Programme

UNIT TITLE (number of hours; number of ECTS)
Euripides’ Medea. The Tragedy of eros. 36 hours, 6 ECTS

EXAMINATION TYPE (oral / written)
The type of examination is oral and evaluates:
1) the mastery of the subject
2) the ability in translating ancient Greek texts
3) the critical capacities and the skills in identifying and formulating problems

PRELIMINARY KNOWLEDGE
It is important that students attend as many classes as possible.
Preliminary knowledgle of Ancient Greek language is required.

SEMESTER
First semester

COURSE DESCRIPTION
The course will focus on Euripides’ Medea, one of the most important tragedies in classical antiquity, considering both the characteristics of Euripides’ revolutionary staging in the context of 5th century Athenian tragedy and the role of this drama within the Euripidean corpus. The aim of this course is to provide a deep understanding of Medea, including its dramaturgical value and literary meaning.


BIBLIOGRAPHY
1) The student can choose one of the two following introductory works:
M. Di Marco, La tragedia greca, Carocci 2000
V. Di Benedetto- E. Medda, La tragedia sulla scena, Torino 1997

2) Medea nella Letteratura e nell’arte a c. di B. Gentili e F. Perusino, Venezia 2000

E-MAIL
adeleteresa.cozzoli@uniroma3.it


Core Documentation



BIBLIOGRAPHY
1) The student can choose one of the two following introductory works:
M. Di Marco, La tragedia greca, Carocci 2000
V. Di Benedetto- E. Medda, La tragedia sulla scena, Torino 1997

2) Medea nella Letteratura e nell’arte a c. di B. Gentili e F. Perusino, Venezia 2000



Reference Bibliography

an edition of Euripides' Medea or with critical tebìxt or with translation 1) M. Di Marco, La tragedia greca, Carocci 2000 oppure V. Di Benedetto- E. Medda, La tragedia sulla scena, Torino 1997; 2) Medea nella Letteratura e nell’arte a c. di B. Gentili e F. Perusino, Venezia 2000

Type of delivery of the course

SEMESTER First semester COURSE DESCRIPTION The course will focus on Euripides’ Medea, one of the most important tragedies in classical antiquity, considering both the characteristics of Euripides’ revolutionary staging in the context of 5th century Athenian tragedy and the role of this drama within the Euripidean corpus. The aim of this course is to provide a deep understanding of Medea, including its dramaturgical value and literary meaning.

Attendance

It is important that students attend as many classes as possible.

Type of evaluation

EXAMINATION TYPE (oral) The type of examination is oral and evaluates: 1) the mastery of the subject 2) the ability in translating ancient Greek texts 3) the critical capacities and the skills in identifying and formulating problems

teacher profile | teaching materials

Mutuazione: 20710121 LINGUA E LETTERATURA GRECA II in Lettere L-10 COZZOLI ADELE TERESA

Programme

UNIT TITLE (number of hours; number of ECTS)
Euripides’ Medea. The Tragedy of eros. 36 hours, 6 ECTS

EXAMINATION TYPE (oral / written)
The type of examination is oral and evaluates:
1) the mastery of the subject
2) the ability in translating ancient Greek texts
3) the critical capacities and the skills in identifying and formulating problems

PRELIMINARY KNOWLEDGE
It is important that students attend as many classes as possible.
Preliminary knowledgle of Ancient Greek language is required.

SEMESTER
First semester

COURSE DESCRIPTION
The course will focus on Euripides’ Medea, one of the most important tragedies in classical antiquity, considering both the characteristics of Euripides’ revolutionary staging in the context of 5th century Athenian tragedy and the role of this drama within the Euripidean corpus. The aim of this course is to provide a deep understanding of Medea, including its dramaturgical value and literary meaning.


BIBLIOGRAPHY
1) The student can choose one of the two following introductory works:
M. Di Marco, La tragedia greca, Carocci 2000
V. Di Benedetto- E. Medda, La tragedia sulla scena, Torino 1997

2) Medea nella Letteratura e nell’arte a c. di B. Gentili e F. Perusino, Venezia 2000

E-MAIL
adeleteresa.cozzoli@uniroma3.it


Core Documentation



BIBLIOGRAPHY
1) The student can choose one of the two following introductory works:
M. Di Marco, La tragedia greca, Carocci 2000
V. Di Benedetto- E. Medda, La tragedia sulla scena, Torino 1997

2) Medea nella Letteratura e nell’arte a c. di B. Gentili e F. Perusino, Venezia 2000



Reference Bibliography

an edition of Euripides' Medea or with critical tebìxt or with translation 1) M. Di Marco, La tragedia greca, Carocci 2000 oppure V. Di Benedetto- E. Medda, La tragedia sulla scena, Torino 1997; 2) Medea nella Letteratura e nell’arte a c. di B. Gentili e F. Perusino, Venezia 2000

Type of delivery of the course

SEMESTER First semester COURSE DESCRIPTION The course will focus on Euripides’ Medea, one of the most important tragedies in classical antiquity, considering both the characteristics of Euripides’ revolutionary staging in the context of 5th century Athenian tragedy and the role of this drama within the Euripidean corpus. The aim of this course is to provide a deep understanding of Medea, including its dramaturgical value and literary meaning.

Attendance

It is important that students attend as many classes as possible.

Type of evaluation

EXAMINATION TYPE (oral) The type of examination is oral and evaluates: 1) the mastery of the subject 2) the ability in translating ancient Greek texts 3) the critical capacities and the skills in identifying and formulating problems

teacher profile | teaching materials

Programme

UNIT TITLE (number of hours; number of ECTS)
Euripides’ Medea. The Tragedy of eros. 36 hours, 6 ECTS

EXAMINATION TYPE (oral / written)
The type of examination is oral and evaluates:
1) the mastery of the subject
2) the ability in translating ancient Greek texts
3) the critical capacities and the skills in identifying and formulating problems

PRELIMINARY KNOWLEDGE
It is important that students attend as many classes as possible.
Preliminary knowledgle of Ancient Greek language is required.

SEMESTER
First semester

COURSE DESCRIPTION
The course will focus on Euripides’ Medea, one of the most important tragedies in classical antiquity, considering both the characteristics of Euripides’ revolutionary staging in the context of 5th century Athenian tragedy and the role of this drama within the Euripidean corpus. The aim of this course is to provide a deep understanding of Medea, including its dramaturgical value and literary meaning.


BIBLIOGRAPHY
1) The student can choose one of the two following introductory works:
M. Di Marco, La tragedia greca, Carocci 2000
V. Di Benedetto- E. Medda, La tragedia sulla scena, Torino 1997

2) Medea nella Letteratura e nell’arte a c. di B. Gentili e F. Perusino, Venezia 2000

E-MAIL
adeleteresa.cozzoli@uniroma3.it


Core Documentation



BIBLIOGRAPHY
1) The student can choose one of the two following introductory works:
M. Di Marco, La tragedia greca, Carocci 2000
V. Di Benedetto- E. Medda, La tragedia sulla scena, Torino 1997

2) Medea nella Letteratura e nell’arte a c. di B. Gentili e F. Perusino, Venezia 2000



Reference Bibliography

an edition of Euripides' Medea or with critical tebìxt or with translation 1) M. Di Marco, La tragedia greca, Carocci 2000 oppure V. Di Benedetto- E. Medda, La tragedia sulla scena, Torino 1997; 2) Medea nella Letteratura e nell’arte a c. di B. Gentili e F. Perusino, Venezia 2000

Type of delivery of the course

SEMESTER First semester COURSE DESCRIPTION The course will focus on Euripides’ Medea, one of the most important tragedies in classical antiquity, considering both the characteristics of Euripides’ revolutionary staging in the context of 5th century Athenian tragedy and the role of this drama within the Euripidean corpus. The aim of this course is to provide a deep understanding of Medea, including its dramaturgical value and literary meaning.

Attendance

It is important that students attend as many classes as possible.

Type of evaluation

EXAMINATION TYPE (oral) The type of examination is oral and evaluates: 1) the mastery of the subject 2) the ability in translating ancient Greek texts 3) the critical capacities and the skills in identifying and formulating problems