teacher profile teaching materials
The course will be structured in two distinct parts: a first part will address the history of documentary cinema from its origins to the contemporary, through the study of movements, currents, authors and trends.The second part focuses on the theme of the representation of the Shoah in Italian and international documentary cinema from the 1950s to the present day, highlighting aesthetic structures, thematic approaches and rhetorical recurrences.
The course also includes some meetings with professionals in the documentary sector in order to put students directly in touch with the professions of cinema.
Maria Cristina Lasagni, Nanook cammina ancora-Il cinema documentario, storia e teoria, Bruno Mondadori Editore, Milano, 2014
Michele Guerra, Il limite dello sguardo. Oltre i confini delle immagini, Raffaello Cortina Editore, Milano, 2020
Ivelise Perniola, L'immagine spezzata. Il cinema di Claude Lanzmann, Kaplan, Torino, 2007
Filmography:
R.Flaherty, Nanook of the North (1922)
A.A.V.V.-Amore in città (1953)
V. De Seta, Lu tempu de li pisci spata (1954)
V. De Seta, I dimenticati (1959)
C. Mangini, Stendalì (1959)
V. De Seta, Diario di un maestro, puntata 1 (1973)
A.Marazzi, Un'ora sola ti vorrei (2002)
R.Marcellini, Israele a Roma (1948)
A. Resnais, Nuit et bruillard (1955)
P.Nelli, Mauthausen Mahnt (1960)
A. Giannarelli, Roma 16 ottobre 1943 (1960)
A. Giannarelli, Memoria presente: ebrei e città durante l'occupazione nazista (1984)
C. Lanzmann, Sobibor, 14 octobre 1943, h.16 (2001)
D.Picciau, Binario 21 (2004)
D. Ferrario, La strada di Levi (2006)
D.Monte, Memorie-In viaggio verso Auschwitz (2014)
Mutuazione: 20702644 CINEMATOGRAFIA DOCUMENTARIA in DAMS (Discipline delle Arti, della Musica e dello Spettacolo) L-3 N0 PERNIOLA IVELISE
Programme
The course will be structured in two distinct parts: a first part will address the history of documentary cinema from its origins to the contemporary, through the study of movements, currents, authors and trends.The second part focuses on the theme of the representation of the Shoah in Italian and international documentary cinema from the 1950s to the present day, highlighting aesthetic structures, thematic approaches and rhetorical recurrences.
The course also includes some meetings with professionals in the documentary sector in order to put students directly in touch with the professions of cinema.
Core Documentation
Bibliography:Maria Cristina Lasagni, Nanook cammina ancora-Il cinema documentario, storia e teoria, Bruno Mondadori Editore, Milano, 2014
Michele Guerra, Il limite dello sguardo. Oltre i confini delle immagini, Raffaello Cortina Editore, Milano, 2020
Ivelise Perniola, L'immagine spezzata. Il cinema di Claude Lanzmann, Kaplan, Torino, 2007
Filmography:
R.Flaherty, Nanook of the North (1922)
A.A.V.V.-Amore in città (1953)
V. De Seta, Lu tempu de li pisci spata (1954)
V. De Seta, I dimenticati (1959)
C. Mangini, Stendalì (1959)
V. De Seta, Diario di un maestro, puntata 1 (1973)
A.Marazzi, Un'ora sola ti vorrei (2002)
R.Marcellini, Israele a Roma (1948)
A. Resnais, Nuit et bruillard (1955)
P.Nelli, Mauthausen Mahnt (1960)
A. Giannarelli, Roma 16 ottobre 1943 (1960)
A. Giannarelli, Memoria presente: ebrei e città durante l'occupazione nazista (1984)
C. Lanzmann, Sobibor, 14 octobre 1943, h.16 (2001)
D.Picciau, Binario 21 (2004)
D. Ferrario, La strada di Levi (2006)
D.Monte, Memorie-In viaggio verso Auschwitz (2014)
Type of delivery of the course
The course includes lectures and attendance, since during the lessons works will be analysed in detail from the aesthetic and thematic point of view.Attendance
The course includes lectures and attendance, since during the lessons works will be analysed in detail from the aesthetic and thematic point of view.Type of evaluation
oral exam. The exam will take place orally on the study of the entire exam program (including texts and filmography).