The Laboratory is aimed at providing the bases on methods and norms for the processing of texts in the historical-artistic field, both scientific and popular, and on practical knowledge and procedures for the use of tools and programs to work on images and elaborate texts and images in the same.
teacher profile teaching materials
- voce "tecnica" in Enciclopedia Universale dell'Arte
- Corrado Maltese, Le tecniche artistiche, Roma 1991
- Antonella Fuga, Tecniche e materiali delle arti, Milano 2004
Other texts will be communicated during the course.
Programme
The course will be set up in two different ways and moments: a first more theoretical part with distance lessons in which some preparatory notions of artistic technique will be addressed in relation to the degradation of works of art alongside examples of applied diagnostics; the second part will be in the presence and will include guided tours and exercises. For exercises we mean the direct viewing of some works and the live analysis of their technique and their degradation as well as their restoration.Core Documentation
Reference texts:- voce "tecnica" in Enciclopedia Universale dell'Arte
- Corrado Maltese, Le tecniche artistiche, Roma 1991
- Antonella Fuga, Tecniche e materiali delle arti, Milano 2004
Other texts will be communicated during the course.
Type of delivery of the course
The lessons will be in the months of February and March at a distance, subsequently in presence. Attendance is mandatory above all as much of the course requires the active participation of the student.