ACQUISITION OF KNOWLEDGE OF THEORETICAL CONCEPTS RECENTLY SPREAD IN ITALY LIKE “EXPANDED CINEMA” AND “EXPANDED TELEVISION”
teacher profile teaching materials
An analysis of the influence of “Intermediality” on Cinema, Communication and New Media histories.
There will be encounters with Italian and foreign artists and film-maker.
- F. Zecca, Cinema e intermedialità. Modelli di traduzione, Forum, Udine 2013.
OPTIONALLY:
- V. Catricalà (ed.), Media Art. Towards a new Definition of Arts in the Ages of Technology, Gli Ori - Fondazione Mondo Digitale, Roma 2015;
- L. Leuzzi, S. Partridge, REWIND/Italia. Early Video Art in Italy / I primi anni della videoarte in Italia, John Libbey Publishing, New Barnet 2016 (Italian/English);
- M. M. Gazzano, Kinema. Il cinema sulle tracce del cinema. Dal film alle arti elettroniche, andata e ritorno (new edition), Exorma, Roma 2019.
Foreign Students can plan specific bibliographies with the Professor and the Tutors.
Programme
A theoretical and historical analysis of concepts like “Intermediality”, ”Expanded Arts”, “Artmix”, “Dramaturgy of the Arts” from the ‘60s to today.An analysis of the influence of “Intermediality” on Cinema, Communication and New Media histories.
There will be encounters with Italian and foreign artists and film-maker.
Core Documentation
- M.M. Gazzano (a cura di) Edison Studio. Il "silent film" e l'elettronica in relazione intermediale, Exorma, Roma 2015;- F. Zecca, Cinema e intermedialità. Modelli di traduzione, Forum, Udine 2013.
OPTIONALLY:
- V. Catricalà (ed.), Media Art. Towards a new Definition of Arts in the Ages of Technology, Gli Ori - Fondazione Mondo Digitale, Roma 2015;
- L. Leuzzi, S. Partridge, REWIND/Italia. Early Video Art in Italy / I primi anni della videoarte in Italia, John Libbey Publishing, New Barnet 2016 (Italian/English);
- M. M. Gazzano, Kinema. Il cinema sulle tracce del cinema. Dal film alle arti elettroniche, andata e ritorno (new edition), Exorma, Roma 2019.
Foreign Students can plan specific bibliographies with the Professor and the Tutors.
Reference Bibliography
- V. Catricalà, Media Art. Prospettive delle arti verso il XXI secolo, Mimesis, Milano 2016; - L. Leuzzi, S. Partridge, REWIND/Italia. Early Video Art in Italy / I primi anni della videoarte in Italia, John Libbey Publishing, New Barnet 2016 (Italian/English); - M. M. Gazzano, Kinema. Il cinema sulle tracce del cinema. Dal film alle arti elettroniche, andata e ritorno (new edition), Exorma, Roma 2019. FILMOGRAPHY: Tv and Video Art works from the '50s to the present, otherwise not available.Type of delivery of the course
Frontal lessons; viewing and commenting on audiovisual operas (films, videoart, documentaries, TV programs); encounters with italian and international artists and filmmakers, chronological and etymological analysis of the histories of Cinema, Arts and Media; participation in conferences, festivals and specialized events indicated by the teacher during the course.Type of evaluation
The exam takes place through an ongoing written test for attending students in presence, or through a 3-hour written test, organized in open-ended questions taken from the texts indicated for the exam, proposed by the Commission but chosen by each individual student, aimed at verifying the level of effective comprehension of the concepts. Particular attention is paid to the student's ability to understand, interpret and critically analyze the proposed texts (for non-attending students) For the online modality, the exam takes place through a written report on the adopted texts and on the video lessons indicated in Moodle, to be delivered printed to DAMS reception, at least one week before the chosen appeal.